The cabinet of Dr. Caligari : a film in six acts / by Brock, Timothy, Sosin, Donald, Viertblöck, Rainer

Table of Contents: “…Special features: "Genuine: the tale of a vampire" film 43 minute condensation directed by Robert Wiene (1920). "Behind the scenes of Robert Wiene" footage on the set of I.N.R.I. (1923); Two musical scores by Donald Sosin and Rainer Viertblöck; Gallery of photos, posters, designs Excerpt with original German intertitles.…”

Das cabinet des Dr. Caligari : ein filmspiel in 6 Akten /

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Weimar cinema : an essential guide to classic films of the era /

Table of Contents: “…Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920) /…”

Weimar cinema : an essential guide to classic films of the era /

Table of Contents: “…Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920) /…”
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Film analysis : a Norton reader /

Table of Contents: “…The cabinet of Dr. Caligari (1920), Robert Wiene /…”

Gender and the uncanny in films of the Weimar Republic / by Hans, Anjeana K.

Table of Contents: “…The world turned upside down : changing society, changing gender roles, changing medium in Weimar Germany -- The eyes of the mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918) : from the monster with the "eyes that live" to the passive object of the male gaze -- Uncanny tales (Unheimliche Geschichten, Richard Oswald, 1919) : the many guises of the dangerous woman -- Warning shadows (Schatten : Eine nächtliche Halluzination, Artur Robison, 1923) : transgression, abjection, projection -- The hands of Orlac (Orlacs Hände, Robert Wiene, 1924) : war trauma, injury, and the return to a changed world -- A daughter of destiny (Alraune, Henrik Galeen, 1928) and daughter of evil (Alraune, Richard Oswald, 1930) : from dangerous hybrid to self-sacrificing woman.…”
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The Many Faces of Weimar Cinema : Rediscovering Germany's Filmic Legacy. by Rogowski, Christian

Table of Contents: “…6: "These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's 'Orlacs Hände' (1924)Notes; 7: The Star System in Weimar Cinema; Notes; 8: 'Schaulust': Sexuality and Trauma in Conrad Veidt's Masculine Masquerades; Notes; 9: The Musical Promise of Abstract Film; Notes; 10: The International Project of National(ist) Film: Franz Osten in India; Notes; 11: The Body in Time: Wilhelm Prager's 'Wege zu Kraft und Schönheit' (1925); Notes; 12: Henrik Galeen's 'Alraune' (1927): The Vamp and the Root of Horror; Notes.…”
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Shell shock cinema : Weimar culture and the wounds of war / by Kaes, Anton

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The many faces of Weimar cinema : rediscovering Germany's filmic legacy /

Table of Contents: “…Dupont's Das alte Gesetz (1923) and other early Weimar assimilation films / Cynthia Walk -- "These Hands Are Not My Hands": war trauma and masculinity in crisis in Robert Wiene's Orlacs Hände (1924) / Anjeana Hans -- The star system in Weimar cinema / Joseph Garncarz -- Schaulust: sexuality and trauma in Conrad Veidt's masculine masquerades / Elizabeth Otto -- The musical promise of abstract film / Joel Westerdale -- The international project of national(ist) film: Franz Osten in India / Veronika Fuechtner -- The body in time: Wilhelm Prager's Wege zu Kraft und Schönheit (1926) / Theodore F. …”
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Film nation : William Troy on the cinema, 1933-1935 / by Russo, James R.

Table of Contents: “…Schoedsack -- The Other (1930), directed by Robert Wiene -- Frederica (1932), directed by Fritz Friedmann-Frederich -- 9. …”
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The promise of cinema : German film theory, 1907--1933 /

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