Curating live arts : critical perspectives, essays, and conversations on theory and practice /

Table of Contents: “…Jackson -- Noticing the feedback: a proposal to the contemporary dance field, and/or this revolution will be crowdsourced / Michèle Steinwald -- Email to a curator: an introduction to The Curator's Piec / Tea Tupajić and Petra Zanki -- Curation as a form of artistic practice: context as a new work through UK-based Forest Fringe / Deborah Pearson -- The artist-curator, or the philosophy of 'do-it-yourself / Julie Bawin -- Being in vanguard of sensibility: artists as curators in performing arts: a study of collective affect / Kasia Tórz -- Familias: artist-activist curation in the South Bronx, New York / Jane Gabriels -- What we talk about when we talk about curating the 'unexpected / Syreeta McFadden -- Because I love art, I want art to be different: the project Perverse Curating and a few things I've learned from it / Jacob Wren -- Making stage: contemporary dance and performance curation in the Caribbean / Makeda Thomas -- The work of the musician-curator in relation to of the 'Concert Scenario' / Marie-Hélène Breault -- Pseudo-, anti-, and total dance: a self-interview on curation / Salta -- Collective creation and improvised curation: a discussion with the Body Slam / Body Slam Dance Improv Collective: Gregory Selinger, Helen Simard, Roger White, Xavier Laporte, Victoria Mackenzie, and Claudia Chan Tak -- A new kind of critical elsewhere / Travis Chamberlain -- Re-enact history? …”
CONNECT
CONNECT