Hungry Moon : poems /
With intimacy and depth of insight, Henrietta Goodman's Hungry Moon suggests paradox as the most basic mode of knowing ourselves and the world. We need hunger, the poems argue, but also satisfaction. We need pain to know joy, joy to know pain. We need to protect ourselves, but also to take risk...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
[Fort Collins, Colorado] :
Colorado State University,
[2013]
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Series: | Mountain west poetry series.
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Subjects: | |
Online Access: | CONNECT CONNECT CONNECT |
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245 | 1 | 0 | |a Hungry Moon : |b poems / |c Henrietta Goodman. |
264 | 1 | |a [Fort Collins, Colorado] : |b Colorado State University, |c [2013] | |
264 | 4 | |c ©2013 | |
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505 | 0 | |a Cover -- Contents -- Part I -- Hungry Moon -- Dog with Stick of Dynamite -- After Birth -- Aurora -- Fly or Crawl -- Witchwater -- Outside the Video Store -- The Path to Immortality -- Where Sadness Comes From -- Canada -- Clay Pigeons -- Part II -- First Flight -- Navigation -- The Wind I Mean -- Airborne -- Willful Blindness -- Fairy Slipper -- Ground Effect -- Two on the Ground -- Quiscalus Mexicanus -- Embarking -- After Fighting We Fly -- Part III -- In a Clearing -- Magnetite -- Destrudo -- What Lets You Win | |
505 | 8 | |a Object LessonParting Gifts -- Fire Season -- Hell: Detail of a Couple in Bed -- Matryoshka -- Penelope at the Wheel -- Spring Wedding -- A Dozen Roses -- Part IV -- Telling It -- What You Don�t Know -- Seventeen -- Not Falling, Not Fallen -- Hunger -- Elegy For the Last Time -- This is How You Can Tell -- Solution -- Thermodynamic Elegy -- Acknowledgements | |
520 | |a With intimacy and depth of insight, Henrietta Goodman's Hungry Moon suggests paradox as the most basic mode of knowing ourselves and the world. We need hunger, the poems argue, but also satisfaction. We need pain to know joy, joy to know pain. We need to protect ourselves, but also to take risks. Though the poems are drawn from personal experience, Goodman shares the conviction of such poets as Anne Sexton and Louise Glück that when the poet writes of the self, the self cannot be exempt from culpability. Goodman's speaker ranges through time and locale-from exploring the experience of flying. | ||
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