Out of Time : Desire in Atemporal Cinema.

In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewerÆs relation to time constitute a ne...

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Bibliographic Details
Main Author: McGowan, Todd (Author)
Format: Electronic eBook
Language:English
Published: Minneapolis : University of Minnesota Press, 2011.
Subjects:
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520 |a In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewerÆs relation to time constitute a new cinematic mode: atemporal cinema. In atemporal cinema, formal distortions of time introduce spectators to an alternative way of experiencing existence in timeùor, more exactly, a way of experiencing existence out of time. McGowan draws on contemporary psychoanalysis, particularly Jacques Lacan, to. 
588 0 |a Print version record. 
505 0 |a Preface; Acknowledgments; Introduction: The Origins of the Atemporal Film; 1 Temporality after the End of Time in Pulp Fiction; 2 Not the Worst of All Possible Worlds: Sacrificing the Object in Butterfly Effect; 3 Eternity without Sunshine: Eternal Sunshine of the Spotless Mind and the Hopelessness of Love; 4 The Path to Politics in The Constant Gardener; 5 "Something Is Lost": The Ethics of Absolute Negativity in 21 Grams; 6 Timeless in Space: Placing Eternity in 2046; 7 Affirmation of the Lost Object: Peppermint Candy and the End of Progress. 
504 |a Includes bibliographical references and index. 
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