The first hundred years of Mikhail Bakhtin /

In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered during his lifetime. With the collapse of the Soviet...

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Bibliographic Details
Main Author: Emerson, Caryl
Format: Electronic eBook
Language:English
Published: Princeton, NJ : Princeton University Press, ©1997.
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245 1 4 |a The first hundred years of Mikhail Bakhtin /  |c Caryl Emerson. 
260 |a Princeton, NJ :  |b Princeton University Press,  |c ©1997. 
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505 0 |a Machine derived contents note: Table of contents for The first hundred years of Mikhail Bakhtin / Caryl Emerson. -- Bibliographic record and links to related information available from the Library of Congress catalog -- Information from electronic data provided by the publisher. May be incomplete or contain other coding. -- Acknowledgments -- Abbreviations -- Introduction East Meets West in the Ex-USSR -- Part One: Xxx: Bakhtin Studies, Bakhtinistics, Bakhtinology -- Chapter One The Russians Reclaim Bakhtin, -- 1975 to the Jubilee -- The Three Worlds of Mikhail Bakhtin -- The Post-Stalinist Revival of the Russian -- Literary Profession -- The 1990s: The Russian Bakhtin Industry Takes Stock -- Chapter Two Retrospective: Domestic -- Reception during Bakhtin's Life -- Dostoevsky, I (1929) -- Dostoevsky, II (1963) -- Rabelais and Folk Culture -- The 1975 Anthology: Essays on the Novel -- Posthumous: The First Manuscripts and Final Essays -- Part Two: Literature Fades, Philosophy Moves To The Fore (Reworking Three Problematic Areas) -- Chapter Three Polyphony, Dialogism, -- Dostoevsky -- Can Polyphony Exist? If So, Does It Apply? -- Unsympathetic Case Studies and Suspicious -- Close Readings -- "The Torments of Dialogue": In Defense of Bakhtin -- Chapter Four Carnival: Open-ended Bodies and Anachronistic Histories -- Pro: Carnival as Incarnation, Eucharist, -- Sacral Myth -- Contra: Demonization, Stalinization -- Neither For nor Against: Carnival as -- Analytic Device -- Chapter Five XXX: "Outsideness" as the -- Ethical Dimension of Art (Bakhtin and the -- Aesthetic Moment) -- Belatedly Finding a Place for the Very Early Bakhtin -- Outsideness: What It Is and Is Not -- The Problem of Form -- The Logic of Aesthetic Form and -- "Consummation as a Type of Dying" -- Afterword One Year Later: The Prospects for -- Bakhtin's XXXHOHayka [inonauka], or "Science in Some Other Way" -- Index -- Library of Congress subject headings for this publication: Bakhtin, M, M, (Mikhail Mikhailovich), 1895-1975, Criticism Russia (Federation) History. 
520 |a In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered during his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation." 
520 8 |a A foremost Bakhtin authority, Caryl Emerson mines extensive Russian sources to explore Bakhtin's reception in Russia, from his earliest publication in 1929 until his death, and his posthumous rediscovery. After a reception-history of Bakhtin's published work, she examines the role of his ideas in the post-Stalinist revival of the Russian literary profession, concentrating on the most provocative rethinkings of three major concepts in his world: dialogue and polyphony; carnival; and "outsideness," a position Bakhtin considered essential to both ethics and aesthetics. Finally, she speculates on the future of Bakhtin's method, which was much more than a tool of criticism: it will "tell you how to teach, write, live, talk, think." 
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