Alchemist of the avant-garde : the case of Marcel Duchamp /
Annotation
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Albany :
State University of New York Press,
©2003.
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| Series: | SUNY series in Western esoteric traditions.
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| Subjects: | |
| Online Access: | CONNECT CONNECT |
MARC
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| 100 | 1 | |a Moffitt, John F. |q (John Francis), |d 1940-2008. |1 https://id.oclc.org/worldcat/entity/E39PBJdmfMgccvtKkKh3FPChHC | |
| 245 | 1 | 0 | |a Alchemist of the avant-garde : |b the case of Marcel Duchamp / |c John F. Moffitt. |
| 260 | |a Albany : |b State University of New York Press, |c ©2003. | ||
| 300 | |a 1 online resource (xiii, 468 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a SUNY series in Western esoteric traditions | |
| 504 | |a Includes bibliographical references (pages 423-457) and index. | ||
| 505 | 0 | |a An esoteric French adolescence for Duchamp: symbolist culture and occultism -- The invention of the modern alchemist-artist -- The cultural shaping of an artist-iconoclast: Duchamp in France, 1887-1915 -- Duchamp's first experiments in esoteric and alchemical art, 1910-1912 -- Duchamp in New York with esoteric patrons and the large glass, 1915-1923 -- Alchemical emblematics and the ready-mades, 1913-1923 -- The esoteric fourth dimension and laws of chance, 1895-1923 -- The circle closes, 1923-1968. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b Acknowledged as the "Artist of the Century, " Marcel Duchamp (1887-1968) left a legacy that dominates the art world to this day. Inventing the ironically degage attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences. This innovative art history is written in a lively, unique style. Much like a prosecuting lawyer's brief, Alchemist of the Avant-Garde argues its case with documented historical evidence, not theoretical models. A fascinating read, Moffitt's work will be welcomed by artists, art lovers, and all those interested in thecultural history of the modern and postmodern eras | |
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| 600 | 1 | 0 | |a Duchamp, Marcel, |d 1887-1968 |x Criticism and interpretation. |
| 650 | 0 | |a Alchemy |x Influence. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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