Theories of literary realism /
Realism has not only shaped important schools and periods in literary history, but has also been a fundamental constant of all literature, its first theoretical formulation being the principle of mimesis in Aristotle's Poetics. Realism can be considered by extension one of the main aspects of l...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English Spanish |
| Published: |
Albany :
State University of New York Press,
©1997.
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| Edition: | Rev., with a new pref. / |
| Series: | SUNY series, the margins of literature.
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| Subjects: | |
| Online Access: | CONNECT |
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| 100 | 1 | |a Villanueva, Darío. | |
| 240 | 1 | 0 | |a Teorías del realismo literario. |l English |
| 245 | 1 | 0 | |a Theories of literary realism / |c Darío Villanueva ; translated by Mihai I. Spariosu and Santiago García Castañón. |
| 250 | |a Rev., with a new pref. / |b by the author. | ||
| 260 | |a Albany : |b State University of New York Press, |c ©1997. | ||
| 300 | |a 1 online resource (xiv, 190 pages) : |b illustrations | ||
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| 490 | 1 | |a SUNY series, the margins of literature | |
| 500 | |a Given as a cycle of five lectures at the Instituto de España, in Madrid, Apr. 1991. | ||
| 504 | |a Includes bibliographical references (pages 147-182) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t Genetic Realism -- |g 2. |t Formal Realism and Beyond -- |g 3. |t Phenomenology and Pragmatics of Realism -- |g 4. |t Intentional Realism -- |g 5. |t The Realist Reading. |
| 520 | |a Realism has not only shaped important schools and periods in literary history, but has also been a fundamental constant of all literature, its first theoretical formulation being the principle of mimesis in Aristotle's Poetics. Realism can be considered by extension one of the main aspects of literary theory, the aims of which must be to define its concepts clearly and to neutralize the imprecision, polysemy, and ambiguity that often characterized the application of realism. This book explores the possibilities and limits of a concept of realism that seeks a point of equilibrium between the principle of the autonomy of the literary work vis-a-vis reality and the complex relations that the work clearly establishes with this reality. It acknowledges that it is a personal response to the poststructuralist crisis in literary theory. By concentrating on the study of the literary work of art as a verbal construction, the great Continental and Anglo-American tradition of formalism and New Criticism has ended up neglecting the second, mimetic aspect of the literary problematic, thus dissociating literature from life. | ||
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