Hyper-narrative interactive cinema : problems and solutions /
Hyper narrative interactive cinema refers to the possibility for users or "interactors" to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Contrary to p...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam ; New York :
Rodopi,
2008.
|
| Series: | Consciousness, literature & the arts ;
18. |
| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Ben-Shaul, Nitzan S. | |
| 245 | 1 | 0 | |a Hyper-narrative interactive cinema : |b problems and solutions / |c Nitzan Ben Shaul. |
| 260 | |a Amsterdam ; |a New York : |b Rodopi, |c 2008. | ||
| 300 | |a 1 online resource (95 pages) | ||
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| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 490 | 1 | |a Consciousness, literature & the arts ; |v 18 | |
| 504 | |a Includes bibliographical references (pages 87-90) and indexes. | ||
| 505 | 0 | |a Table of Contents; Introduction; Chapter 1: Hyper-Narratives; Chapter 2: Interaction; Chapter 3: Audiovisuality & Interfacing; Conclusion: Engaging Hyper-narrative Interactive Cinema; Bibliography; Index of Names and Titles; Index of Topics. | |
| 520 | |a Hyper narrative interactive cinema refers to the possibility for users or "interactors" to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Contrary to post-modern textual and cognitive presumptions, film immersion and computer game theories, this study uses dual coding theory, cognitive load theory, and constructivist narrative film theory to claim that interactive hyper-narrative distraction results from cognitive and behavioral multi-tasking, which lead to | ||
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| 650 | 0 | |a Motion pictures |x Plots, themes, etc. | |
| 650 | 0 | |a Interactive art. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 830 | 0 | |a Consciousness, literature & the arts ; |v 18. | |
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