Contemporary French art. 1, Eleven studies /
Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam ; New York, NY :
Rodopi,
2008.
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| Series: | Faux Titre, 317.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Bishop, Michael, |d 1938- | |
| 245 | 1 | 0 | |a Contemporary French art. |n 1, |p Eleven studies / |c Michael Bishop. |
| 246 | 3 | 0 | |a Eleven studies |
| 260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2008. | ||
| 300 | |a 1 online resource (189 pages) | ||
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| 504 | |a Includes bibliographical references (pages 177-189). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Table of contents; preface; truth and infinity: ben vautier; shooting for transcendence: niki de saint phalle; baroque minimalist?: françois morellet; sublimation, the irreducible and the sacred: louise bourgeois; seeing being: alexandre hollan; spiralling, infinity, tautology: claude viallat; ritual, desire, dys-covering: sophie calle; raggedness, fusion and silence: bernard pagès; structure, sensuality, fable, accompaniment: jean-pierre pincemin; chimera, caress, sacred implosion: annette messager; absence and melancholia, meaning and beauty: gérard titus-carmel; selected bibliography. | |
| 520 | |a Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben. | ||
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| 830 | 0 | |a Faux Titre, 317. | |
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