Photography /
Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyze photographs and exploring the impact of digital technology. T...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York :
Routledge,
2010.
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| Series: | Routledge introductions to media and communications.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Bull, Stephen, |d 1971- |1 https://id.oclc.org/worldcat/entity/E39PCjGrG8t6J4WMgv7tYJDhh3 | |
| 245 | 1 | 0 | |a Photography / |c Stephen Bull. |
| 264 | 1 | |a London ; |a New York : |b Routledge, |c 2010. | |
| 300 | |a 1 online resource (xii, 240 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Routledge introductions to media and communications | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Chapter 1 INTRODUCTION: PHOTOGRAPHY NOW -- chapter 2 THE IDENTITY OF PHOTOGRAPHY -- chapter 3 THE MEANINGS OF PHOTOGRAPHS -- chapter 4 PHOTOGRAPHY FOR SALE -- chapter 5 SNAPSHOTS -- chapter 6 THE PHOTOGRAPH AS DOCUMENT -- chapter 7 PHOTOGRAPHS AS ART -- chapter 8 PHOTOGRAPHS IN FASHION -- chapter 9 PHOTOGRAPHY AND CELEBRITY -- chapter 10 CONCLUSION: AFTER PHOTOGRAPHY? | |
| 505 | 0 | |a 1. Photography now : The structure of this book -- 2. The identity of photography : Fixing the image: the conception of photography ; Modernism: the nature of photography ; Postmodernism: the culture of photography ; The thing itself? The question of indexicality ; Past/present/future: photography and time ; Digital debates: revolution or evolution? ; The photograph as object: materiality ; The photograph as image: dematerialisation ; From fixity to transience: the re-conception of photography -- 3. The meanings of photographs : Understanding semiotics: signs, signifiers and signifieds ; A bag of pasta and a cup of tea: rhetoric of the image ; Fixing meanings: words ; Fixing meanings: contexts ; Fixing meanings: discourses ; Photography and psychoanalysis: the unconscious, fetishism and the uncanny ; Pleasures of looking at photographs: the gaze ; Viewers of photographs: other looks ; Camera Lucida: studium and punctum -- 4. Photography for sale : Photography for selling: advertising and identification ; From selling products to creating atmospheres: advertising photography and image banks ; Photography against selling: subvertising and stencils ; Selling photographs: marketing the media ; Selling photography: mass-marketing the medium ; Selling digital photography: fixed and transient commodities -- 5. Snapshots : Private snapshots: the silent majority of photography ; The nature of snapshots: the snapshooter's eye ; The Kodak culture of snapshots: tourism, family and memory ; Phototherapy: the family album and beyond ; Digital snapshots: screens and performance ; Online social networking: snapshots go public -- 6. The photograph as document : Photographs as evidence: portraits and surveillance ; Classification by observation: anthropology and colonialism ; Objective fictions: documentary photography and photojournalism ; Subjective facts: documentary photography in the photobook and gallery ; Shock and awe: war and its aftermath ; Evidence by participants: amateur documents and citizen journalism -- 7. Photographs as art : Pictorialism: photography as painting ; Modernism: 'straight' photography ; Photography in the modern art gallery: authorship and expression ; Conceptual art: artists using photography ; Postmodernism: the artist as photographer and 'the death of the author' ; Contemporary art photography: the photographer as artist -- 8. Photographs in fashion : The 1920s to the 1960s: elitism to accessibility ; The 1970s and the 1980s: fantasy -- Into the 1990s: abject realism ; Post-photographic pre-millennial fashion photography: anxiety and desire ; The 2000s: performance art -- 9. Photography and celebrity : The face of celebrity: photographing the famous ; The golden age of celebrity: fame and mass reproduction ; The celebrity close-up: paparazzi photography and fan culture ; The circle of shame: mortification and the age of mass celebrity ; Virtually famous: digital reproduction and online celebrity -- 10. After photography? | |
| 520 | |a Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyze photographs and exploring the impact of digital technology. Topics covered include: *the identity of photography *the meanings of photographs *photography for sale *snapshots *the photograph as document *photography as art *photographs in fashion *photography and celebrity. | ||
| 546 | |a English. | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Photography |x Social aspects. | |
| 650 | 0 | |a Photographs |x Psychological aspects. | |
| 650 | 0 | |a Mass media. | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 758 | |i has work: |a Photography (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGXRDv3hHH3v683mH3QgJC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bull, Stephen. |t Photography. |d London ; New York : Routledge, 2010 |w (DLC) 2009024077 |
| 830 | 0 | |a Routledge introductions to media and communications. | |
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e TR183 .B85 2010eb |h Library of Congress classification |
