Choreography and the specific image : nineteen essays and a workbook /
"The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, th...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Pittsburgh, Pennsylvania :
University of Pittsburgh Press,
2001.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Nagrin, Daniel, |e author. | |
| 245 | 1 | 0 | |a Choreography and the specific image : |b nineteen essays and a workbook / |c Daniel Nagrin. |
| 264 | 1 | |a Pittsburgh, Pennsylvania : |b University of Pittsburgh Press, |c 2001. | |
| 264 | 4 | |c ©2001 | |
| 300 | |a 1 online resource (289 pages) : |b illustrations, tables | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction; The Essays; 1. Helen Tamiris and Her Teaching of Choreography; 2. A Method of Teaching Choreography; 3. Choreography and the Specific Image; 4. Improvisation as a Tool for Choreography; 5. ""Rules"" for Choreography in No Particular Order; 6. The Play of Metaphor; 7. Modern Dance Choreography-Ballet Choreography; 8. Choreography for the Solo Dancer, Choreography for a Group: The Problems and Differences; 9. Abstract Dance versus What?; 10. Music; 11. Words and Song Lyrics; 12. Virtuosity; 13. Direction; 14. The Stage: The Costumes, The Lights, The Sets, The Sound; 15. Choreography for the Theatre, Musical Comedy and Opera; 16. Mindsets; 17. The Criticism of Choreography; 18. Anecdotal Material; 19. The Ethics of Aesthetics; The Workbook; Workbook Introduction and Outline; 1. Warming Up; Gifts; Medicine Ball; Outrageous Travel; Goldfish Bowl; Blind Journey; 2. The Rhythm Series; Breath Rhythm; Pulse Rhythm; Inner Rhythm; Dedicate Your Motion; Go Visiting; True Repetition; Evolving Repetition; Spinning; 3. Uncovering Sources of Movement: The First Steps; Circles; Each Alone; Backdoor; Hub Meditation; Visualization; Gesture Permutations; Gesture Rondo; 4. Metaphor; 5. Sense Memory Sources; Faces; Using Music for Improvisation; The Obstacle; Passing through a Physical Object; Slalom; 6. Sources of Movement Material; The Mind-Wash; Not Naming; The Other; A Duet; The Duet as a Structure; 7. Finding Gold in "Bad" Habits; Cliché Rondo; Your Familiar; Possessed by a Mannerism; 8. Music Sources of Movement; Ambient Sound; Rhythm Circle; Before, After and On; Who or What Is Alive in the Music?; Riff Cactus; 9. Words and Movement; Words; Creating Words; Being Created by Words; Becoming Words; Prison; Poems; 10. More; Why Do You Dance?; Props Fantasy; Inside the Outside; Body Contact; Seeing through the Eyes of Another; I Dare You. | |
| 520 | |a "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performance, creativity, and teaching spanning five decades, Nagrin reveals the philosophy and strategy of his work with Helen Tamiris, a founder of modern American dance, and of Workgroup, his maverick improvisation company of the 1970s. During an era when many dancers were working with movement as abstraction, Nagrin turned instead toward movement as metaphor, in the belief that dance should be about something. In Choreography and the Specific Image, Nagrin shares with the next generation of dancers just how that turn was accomplished. "It makes no sense to make dances unless you bring news," he writes. "You bring something that a community needs, something from you: a vision, an insight, a question from where you are and what churns you up." In a workbook following the essays, Nagrin lays out a wealth of clear, effective exercises to guide dancers toward such constructive self-discovery. Unlike all other choreography books, Nagrin addresses the concerns of both modern and commercial (show dance) choreographers. "The need to discover the inner life," he maintains, "is what fires the motion." This is Nagrin's third book of a trilogy, following Dance and the Specific Image: Improvisation and The Six Questions: Acting Technique for Dance Performance. Each focuses on a different aspect of dance--improvisation, performance, and choreography--engaging the specific image as a creative tool. Part history, part philosophy, part nuts-and-bolts manual, Choreography and the Specific Image will be an indispensable resource for all those who care passionately about the world of dance, and the world at large. | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 650 | 0 | |a Dance |x Philosophy. | |
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