Double-Takes : Intersections between Canadian Literature and Film /
This collection explores the interaction between English-language Canadian literature and film.
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Ottawa :
University of Ottawa Press,
[2013]
|
| Series: | Re-appraisals, Canadian writers ;
35. |
| Subjects: | |
| Online Access: | CONNECT CONNECT |
MARC
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| 245 | 0 | 0 | |a Double-Takes : |b Intersections between Canadian Literature and Film / |c edited by David R. Jarraway. |
| 264 | 1 | |a Ottawa : |b University of Ottawa Press, |c [2013] | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Re-appraisals, Canadian writers ; |v 35 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed April 4, 2018). | |
| 505 | 0 | |a Realism and Its "Others". Beyond the National-Realist Text : Imagining the Impossible Nation in Contemporary Canadian Cinema ; Griersonian "Actuality" and Social Protest in Dorothy Livesay's Documentary Poems ; "Stunning and Strange" : Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her" ; Maddin, Melodrama and the Pre-National ; Dialogic Phantasy in Bruce McDonald's Adaptive Narratives -- Adaptation, For Better or Worse. Reading Canadian Film Credits : Adapting Institutions, Systems and Affects ; Sisters in the Wilderness : Mythologizing Catharine Parr Traill ; "Triumph" in the Backwoods : The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000) ; The Director's Medium : Richard Attenborough's De-Authorization of Grey Owl ; Narrative Structure and Narrative Voices in The English Patient : Film and Novel, A Comparative Study ; Loser Wins : The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz ; Why They Cannot Get It Right : A Reader's Notes about Richler on Screen ; "[I]t's my nature" : A Comparison of Hagar Shipley's Pride in The Stone Angel Novel and Film -- Identity : "To Be or Not To Be". Why Sex Matters in Canadian Film and Literature ; The Nature of Things : Coupland, Cinema and the Canadian Sixties and Seventies ; Adapting Men to New Times? : Engagements with Masculinism in John Howe's Why Rock the Boat? ; Filming Music : Adapting Transnational Sound in The English Patient and Fugitive Pieces ; "Something's missing" : Exploding Girlhood and Narrative in The Tracey Fragments. | |
| 520 | |a This collection explores the interaction between English-language Canadian literature and film. | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 500 | |a Project MUSE Universal EBA Ebooks |5 TMurS | ||
| 650 | 0 | |a Motion pictures and literature |z Canada. | |
| 650 | 0 | |a Canadian literature |x Film adaptations. | |
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 655 | 7 | |a Film adaptations. |2 fast |0 (OCoLC)fst01710491 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Jarraway, David R., |e editor. | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 776 | 0 | 8 | |i Print version |z 97807766077950776607790 |
| 830 | 0 | |a Re-appraisals, Canadian writers ; |v 35. | |
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PN1995.3 |h Library of Congress classification |
