In search of Korean traditional opera : discourses of chʻanggŭk /

This is the first work on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theatre that has developed over the last hundred years from the older narrative singing tradition of p'ansori. The book examines the history and current practice of ch'a...

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Bibliographic Details
Main Author: Killick, Andrew P.
Format: Electronic eBook
Language:English
Published: Honolulu : University of Hawaiʻi Press, ©2010.
Series:Studies of the International Center for Korean Studies.
Subjects:
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245 1 0 |a In search of Korean traditional opera :  |b discourses of chʻanggŭk /  |c Andrew Killick. 
260 |a Honolulu :  |b University of Hawaiʻi Press,  |c ©2010. 
300 |a 1 online resource (xxxi, 254 pages) :  |b illustrations (some color) 
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500 |a "A study of the International Center for Korean Studies at the Research Institute of Korean Studies, Korea University." 
504 |a Includes bibliographical references (pages 233-248) and index. 
588 0 |a Print version record. 
505 0 |a Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Discourses of Tradition -- Sources and Resources -- Overview of the Book -- Terminology, Romanization, and Other Conventions -- Chapter One A Night at the Korean Opera -- Getting There -- Preliminaries -- Ch'angguk Begins with P'ansori -- The Drama Unfolds -- Lovers United -- and Parted -- Enter the Villian -- The Hero Returns -- Curtain Calls -- Chapter Two Origins and Origin Myths -- Ch'angguk's Origins: The Standard Story -- Theater before Theaters: Drama in Premodern Korea 
505 8 |a Musical Storytelling: P'ansoriA Comparative Context: Hybrid-Popular Theater and the Colonial Encounter -- The Advent of Commercial Theaters -- The First Ch'angguk? -- The Myth Defended -- Conclusion: To Show Something of This Country to Foreigners -- Chapter Three Ch'angguk in Colonial Korea -- Ch'angguk in the Wake of the Won'gaksa -- Hyomnyulsa Touring Variety Troupes -- Male and Female Companies in Seoul -- Causes of Decline -- Cultural Nationalism and the Conditions for Revival -- The Choson Songak Yon'guhoe -- The War Years and Historical Ch'angguk 
505 8 |a Conclusion: The Colonial Legacy in Ch'anggukChapter Four Women's National Drama -- National Music and National Drama -- Emergence and Heyday -- Decline -- Revival and Transformation -- Conclusion: In Search of Women's National Drama -- Chapter Five Inventing a Tradition? The National Changgeuk Company of Korea -- Ch'angguk at the National Theater of Korea -- P'ansori Purism and the Ch'angguk Chongnip Wiwonhoe -- Ho Kyu and the Performer-Audience Relationship -- Ch'angguk at the National Center for Korean Traditional Performing Arts 
505 8 |a Kang Hanyong and the Abolition of the NarratorInto the Twenty-First Century -- Conclusion: How Traditional Is Korean Traditional Opera? -- Chapter Six Stories and Themes: What Is Ch'angguk About? -- A Heterogeneous Canon: Operas from the Standard P'ansori Stories -- Ch'unhyang and the Discourse of Han -- Bodily Penetration as National Metaphor -- Penetration and Resistance in Newly Composed Ch'angguk -- Conclusion: Genre as Discourse -- Chapter Seven Constructing the Nation through Sound: The Music of Ch'angguk -- Musical Resources from P'ansori 
505 8 |a P'ansori Music in Ch'anggukDiegetic Music and Musical Eclecticism -- Conclusion: Musical Unity and National Unity -- Chapter Eight Conclusion -- Notes -- Glossary -- Bibliography -- Index -- Plates follow page 128. 
520 8 |a This is the first work on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theatre that has developed over the last hundred years from the older narrative singing tradition of p'ansori. The book examines the history and current practice of ch'angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. 
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