The chiaroscuro woodcut in Renaissance Italy /

"The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Print...

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Bibliographic Details
Main Author: Takahatake, Naoko, 1977- (Author)
Other Authors: Bober, Jonathan (Contributor), Gabbarelli, Jamie (Contributor), Griffiths, Antony (Contributor), Parshall, Peter W. (Contributor), Morenus, Linda Stiber (Contributor)
Format: Book
Language:English
Published: Los Angeles, CA : Munich ; New York, NY : Los Angeles County Museum of Art ; DelMonico Books, an imprint of Prestel, 2018.
Subjects:

MARC

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005 20190128053607.6
008 180202t20182018caua bc 001 0 eng
010 |a  2018005386 
020 |a 9783791357393  |q hardcover 
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245 0 4 |a The chiaroscuro woodcut in Renaissance Italy /  |c Naoko Takahatake ; with contributions by Jonathan Bober, Jamie Gabbarelli, Antony Griffiths, Peter Parshall, Linda Stiber Morenus. 
264 1 |a Los Angeles, CA :  |b Los Angeles County Museum of Art ;  |a Munich ;  |a New York, NY :  |b DelMonico Books, an imprint of Prestel,  |c 2018. 
264 4 |c ©2018 
300 |a 287 pages :  |b illustrations (some color) ;  |c 29 cm 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
520 |a "The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccol Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance"--  |c Provided by publisher. 
500 |a "Published in conjunction with the exhibition The Chiaroscuro Woodcut in Renaissance Italy. This exhibition was organized by the Los Angeles County Museum of Art, in association with the National Gallery of Art. Exhibition itinerary: Los Angeles County Museum of Art: June 3-September 16, 2018 National Gallery of Art, Washington: October 14, 2018-January 20, 2019"-- Provided by publisher. 
504 |a Includes bibliographical references (pages 276-280) and index. 
505 0 0 |t The Italian chiaroscuro woodcut : History and technique /  |r Naoko Takahatake --  |t The origins of the chiaroscuro woodcut /  |r Peter Parshall --  |t The chiaroscuro woodcut and drawing in sixteenth-century Italy /  |r Jonathan Bober --  |t The place of the chiaroscuro woodcut within European printmaking /  |r Antony Griffiths --  |g Catalogue /  |r Naoko Takahatake, with Jonathan Bober, Jamie Gabbarelli, and Linda Stiber Morenus --  |g Note to the reader --  |t Ugo da carpi in Venice and Rome c. 1516-17 --  |t Parmigianino, ugo da carpi, and Antonio da Trento in Bologna c. 1517-30 --  |t Niccolò Vicentino and his workshop c. 1540s --  |t Domenico Beccafumi c. 1540s --  |t The dissemination of the technique in Italy c. 1530s-80s --  |t Andrea Andreani c. 1580-1610 --  |t Recreating the Italian chiaroscuro woodcut /  |r Linda Stiber Morenus. 
650 0 |a Wood-engraving, Italian  |y 16th century  |v Exhibitions. 
650 0 |a Wood-engraving, Renaissance  |z Italy  |v Exhibitions. 
650 0 |a Chiaroscuro  |v Exhibitions. 
648 7 |a 1500-1599  |2 fast 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 7 |a Exhibition catalogs.  |2 lcgft 
700 1 |a Takahatake, Naoko,  |d 1977-  |e author. 
700 1 |a Bober, Jonathan,  |e contributor. 
700 1 |a Gabbarelli, Jamie,  |e contributor. 
700 1 |a Griffiths, Antony,  |e contributor. 
700 1 |a Parshall, Peter W.,  |e contributor. 
700 1 |a Morenus, Linda Stiber,  |e contributor. 
710 2 |a Los Angeles County Museum of Art,  |e organizer,  |e host institution. 
710 2 |a National Gallery of Art (U.S.),  |e organizer,  |e host institution. 
907 |a 3811513  |b 12-17-19  |c 12-18-18 
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952 f f |p Circulating  |a Middle Tennessee State University  |b Main  |c James E. Walker Library  |d Main Collection - Walker Library - 4th Floor  |t 0  |e 769.945 C431  |h Library of Congress classification  |i Book  |m 33082017659854  |n 1