Tokyo boogie-woogie : Japan's pop era and its discontents /
Between the late 1920s and 1960s, Japan's recording industry produced songs that they simply labeled, "Popular Songs" (ryūkōka). Emerging within the context of the dramatic expansion of mass media during some of the most volatile decades in Japanese history, this musical genre came to...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, Massachusetts :
Harvard University Press,
2017.
|
| Subjects: |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | mig00004758151 | ||
| 003 | OCoLC | ||
| 005 | 20170411074549.9 | ||
| 008 | 161026t20172017maua b 001 0 eng c | ||
| 010 | |a 2016044092 | ||
| 020 | |a 9780674971691 |q hardcover | ||
| 020 | |a 0674971698 |q hardcover | ||
| 035 | |a (OCoLC)959648416 | ||
| 035 | 0 | 0 | |a ocn959648416 |
| 040 | |a MH/DLC |b eng |e rda |c HLS |d DLC |d YDX |d BDX |d OCLCF |d OCLCO |d LMR |d ERASA |d YDX |d OCLCO |d RES | ||
| 042 | |a pcc | ||
| 043 | |a a-ja--- | ||
| 049 | |a TXMM | ||
| 050 | 0 | 0 | |a ML3501 |b .N18 2017 |
| 082 | 0 | 0 | |a 781.630952 |2 23 |
| 092 | |a 781.630952 |b N1312t | ||
| 100 | 1 | |a Nagahara, Hiromu, |e author. | |
| 245 | 1 | 0 | |a Tokyo boogie-woogie : |b Japan's pop era and its discontents / |c Hiromu Nagahara. |
| 264 | 1 | |a Cambridge, Massachusetts : |b Harvard University Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 273 pages ; |c 22 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The popular song as an era -- The invention of popular song -- The state as critic and consumer -- The long war on popular song -- Boogie-woogie democracy -- The end of popular song and of critique -- Conclusion: The television age and beyond. | |
| 520 | |a Between the late 1920s and 1960s, Japan's recording industry produced songs that they simply labeled, "Popular Songs" (ryūkōka). Emerging within the context of the dramatic expansion of mass media during some of the most volatile decades in Japanese history, this musical genre came to occupy the mainstream of Japan's commercial music scene. Tokyo Boogie-Woogie is the first book-length, historical study in English of this musical phenomenon and its impact on the politics of culture in modern Japan. The book focuses on the broad range of self-appointed popular song critics, including musicians, intellectuals, political activists, and government officials, all of whom engaged in a series of contentious debates on these songs' cultural and social merits, or, more frequently, the lack thereof.-- |c Provided by publisher. | ||
| 650 | 0 | |a Popular music |z Japan |x History and criticism. | |
| 650 | 0 | |a Popular music |x Social aspects |z Japan |x History |y 20th century. | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 907 | |a 3519741 |b 04-17-17 |c 03-29-17 | ||
| 998 | |a w |b 04-17-17 |c m |d a |e - |f eng |g mau |h 0 |i 1 | ||
| 994 | |a 92 |b TXM | ||
| 945 | |a 781.630952 |b N1312t |g 1 |i 33082017498378 |j 0 |l w4 |o - |p $29.23 |q - |r - |s - |t 0 |u 0 |v 0 |w 0 |x 0 |y .i21560328 |z 04-17-17 | ||
| 999 | f | f | |i 86856957-b889-40e1-9d9e-ce1fb14b99f6 |s c7225cf5-9499-49bc-979d-e2f375d410cd |t 0 |
| 952 | f | f | |p Circulating |a Middle Tennessee State University |b Main |c James E. Walker Library |d Main Collection - Walker Library - 4th Floor |t 0 |e 781.630952 N1312t |h Library of Congress classification |i Book |m 33082017498378 |n 1 |
