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|a 791.430954
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|a 791.430954
|b D491i
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| 100 |
1 |
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|a Devasundaram, Ashvin Immanuel,
|e author.
|
| 245 |
1 |
0 |
|a India's new independent cinema :
|b rise of the hybrid /
|c Ashvin Immanuel Devasundaram.
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| 264 |
|
1 |
|a New York, NY :
|b Routledge,
|c 2016.
|
| 264 |
|
4 |
|c ©2016
|
| 300 |
|
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|a xvi, 292 pages ;
|c 24 cm.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
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|a Routledge advances in film studies ;
|v 48
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
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|a Bollywood and the cinemas of India: the story so far -- The meta-hegemony: leviathan Bollywood and lilliputian indies -- The anatomy of the indies -- Avenues of indie funding, distribution and exhibition -- Interstitial indies interrogating India's double narrative -- Running along with scissors: censorship & regulation -- Part 2. Case studies -- Rapping in double time: Gandu's subversive time of liberation -- Dhobi Ghat: the marginal in the Mumbai mainstream -- Peepli live: neoliberal capital, media "knowledge" and political power -- All the world's a ship: broken binaries and hyperlinked heterotopias in ship of Theseus -- A cinematic quartet conjuring ghosts of nation: Harud, Haider, The lunchbox and I am -- Conclusion: charting the ship's course.
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| 650 |
|
0 |
|a Motion picture industry
|z India.
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| 650 |
|
0 |
|a Independent films
|z India.
|
| 650 |
|
0 |
|a Motion pictures
|z India.
|
| 830 |
|
0 |
|a Routledge advances in film studies ;
|v 48.
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|a 3305947
|b 08-30-16
|c 08-09-16
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|a Middle Tennessee State University
|b Main
|c James E. Walker Library
|d Main Collection - Walker Library - 2nd Floor
|t 0
|e PN1993.5.I8 D485 2016
|h Library of Congress classification
|i Book
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