Where ghosts walked : Munich's road to the Third Reich /
The capital of the Nazi movement was not Berlin but Munich. So said the Fuhrer, Adolf Hitler, of this handsome Bavarian town on the banks of the Isar River. Munich, the city of baroque buildings, fine art museums, and Oktoberfest, was where Hitler felt most at home. It was the birthplace of Nazism a...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
New York :
W.W. Norton & company,
[1997]
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Edition: | First edition. |
Subjects: |
MARC
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003 | OCoLC | ||
005 | 20160429014344.0 | ||
008 | 970127t19971997nyua b 001 0 eng | ||
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020 | |a 039303836X | ||
020 | |a 9780393038361 | ||
035 | |a (OCoLC)36315969 | ||
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100 | 1 | |a Large, David Clay, |e author. | |
245 | 1 | 0 | |a Where ghosts walked : |b Munich's road to the Third Reich / |c David Clay Large. |
250 | |a First edition. | ||
264 | 1 | |a New York : |b W.W. Norton & company, |c [1997] | |
264 | 4 | |c ©1997 | |
300 | |a xxv, 406 pages : |b illustrations ; |c 25 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 363-394) and index. | ||
505 | 0 | |a Introduction: "Athens on the Isar" -- Germany's Bohemia -- The great swindle -- Red Munich -- Birthplace of nazism -- To the Feldherrnhalle -- "The dumbest city in Germany" -- Capital of the movement -- Babylon on the Isar -- Götterdämmerung -- Epilogue: Reckoning with(out) the past in the "world city with heart". | |
520 | |a The capital of the Nazi movement was not Berlin but Munich. So said the Fuhrer, Adolf Hitler, of this handsome Bavarian town on the banks of the Isar River. Munich, the city of baroque buildings, fine art museums, and Oktoberfest, was where Hitler felt most at home. It was the birthplace of Nazism and became the chief cultural shrine of the Third Reich. Why did Nazism flourish in the "Athens of the Isar"? In exploring this question, David Clay Large has written a compelling narrative account of the cultural roots of the Nazi movement. His focus on Munich allows us to see that the conventional explanations for the movement's rise are not enough. | ||
520 | 8 | |a Large's account begins in Munich's "golden age," the four decades before World War I, when the city's artists and writers produced some of the outstanding works of the modernist spirit. But there was a dark side, a protofascist cultural heritage that would tie Hitler's movement to the soul of the city. Large prowls this volatile world, its eccentric poets and publishers, its salons and seamy basement meeting places. In this hothouse atmosphere attacks on cosmopolitan modernity and political liberalism flourished, along with a virulent anti-Semitism and German nationalism. | |
590 | |a Susan Lee Pentlin Holocaust Collection. | ||
651 | 0 | |a Munich (Germany) |x Social conditions. | |
650 | 0 | |a National socialism |z Germany |z Munich. | |
650 | 0 | |a Conservatism |z Germany |z Munich. | |
651 | 0 | |a Munich (Germany) |x Intellectual life. | |
650 | 7 | |a Conservatism. |2 fast |0 (OCoLC)fst00875582 | |
650 | 7 | |a Intellectual life. |2 fast |0 (OCoLC)fst00975769 | |
650 | 7 | |a National socialism. |2 fast |0 (OCoLC)fst01033761 | |
650 | 7 | |a Social conditions |2 fast |0 (OCoLC)fst01919811 | |
651 | 7 | |a Germany |z Munich. |2 fast |0 (OCoLC)fst01205308 | |
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