Vision and audience in medieval drama : a study of The Castle of Perseverance /
"This book presents a re-evaluation of The Castle of Perseverance, the longest and earliest complete morality play in English. It argues that vision - as a physical, moral, and cognitive process - is the organizing principle that informs this play's staging, structure and narrative, and it...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Houndmills, Basingstoke, Hampshire ; New York, NY :
Palgrave Macmillan,
2015.
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Series: | New Middle Ages (Palgrave Macmillan (Firm))
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Subjects: |
MARC
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003 | OCoLC | ||
005 | 20160114111836.0 | ||
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010 | |a 2015012264 | ||
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100 | 1 | |a Young, Andrea Louise, |d 1982- |e author. | |
245 | 1 | 0 | |a Vision and audience in medieval drama : |b a study of The Castle of Perseverance / |c Andrea Louise Young. |
264 | 1 | |a Houndmills, Basingstoke, Hampshire ; |a New York, NY : |b Palgrave Macmillan, |c 2015. | |
264 | 4 | |c ©2015 | |
300 | |a 228 pages ; |c 23 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a The new Middle Ages | |
520 | |a "This book presents a re-evaluation of The Castle of Perseverance, the longest and earliest complete morality play in English. It argues that vision - as a physical, moral, and cognitive process - is the organizing principle that informs this play's staging, structure and narrative, and its constantly shifting actor/audience relationships. Theories such as intromission and extramission, and their associated power shifts, are placed alongside a re-interpretation of the famous stage plan, approaching the text in terms of spectator experience. The writings of Augustine, Grosseteste, and Peter of Limoges are also explored. This study will take the reader through the play in the same way that it unfolds for the audience members, in keeping with the audience experience approach. The visual culture of East Anglia, and its textiles in particular, are also identified as central to the play's moral and dramatic work and the battle at the center of the play. "-- |c Provided by publisher. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a 1. Vision, Visuality, and the Audience -- 2. Staging The Castle of Perseverance -- 3. Angelic Visions -- 4. The Castle of Light -- 5. Vision and Visuality: The Battle of the Banners -- 6. The End of Play and the Gaze of God -- Appendix A: Plotting the play -- explanatory notes -- Appendix B: Plotting out the play on the ground. | |
650 | 0 | |a Castle of perseverance (Morality play) | |
650 | 0 | |a Vision in literature. | |
651 | 0 | |a East Anglia (England) |x In literature. | |
650 | 0 | |a Moralities, English |x History and criticism. | |
650 | 0 | |a Castle of perseverance (Morality play) |x Stage history. | |
650 | 0 | |a Theaters |x Stage-setting and scenery |z England |x History. | |
650 | 0 | |a Audiences |z England |x History. | |
650 | 0 | |a Theater |z England |x History |y Medieval, 500-1500. | |
830 | 0 | |a New Middle Ages (Palgrave Macmillan (Firm)) | |
907 | |a 3203889 |b 04-14-16 |c 12-16-15 | ||
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952 | f | f | |p Circulating |a Middle Tennessee State University |b Main |c James E. Walker Library |d Main Collection - Walker Library - 4th Floor |t 0 |e 822.0516 Y842v |h Library of Congress classification |i Book |m 33082017469296 |n 1 |