Garage rock and its roots : musical rebels and the drive for individuality /
"This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self through the assertion of individuality and rebellion. Section one examines the creation of the scene, the importance of relationships to the past and the appearance used throug...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Jefferson, N.C. :
McFarland & Co.,
c2006.
|
| Subjects: |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | mig00004697010 | ||
| 003 | OCoLC | ||
| 005 | 20101223111534.0 | ||
| 008 | 060428s2006 ncu b 001 0 eng | ||
| 010 | |a 2006014347 | ||
| 020 | |a 0786425644 (softcover : alk. paper) | ||
| 020 | |a 9780786425648 (softcover : alk. paper) | ||
| 035 | |a (OCoLC)68192501 | ||
| 035 | 0 | 0 | |a ocm68192501 |
| 040 | |a DLC |b eng |c DLC |d BAKER |d C#P |d IG# |d YDXCP |d OCLCQ |d BTCTA |d YUS |d TBS |d GEBAY |d OCLCQ |d TPJ | ||
| 049 | |a TPJJ | ||
| 050 | 0 | 0 | |a ML3534 |b .A23 2006 |
| 082 | 0 | 0 | |a 781.66 |2 22 |
| 100 | 1 | |a Abbey, Eric James, |d 1976- | |
| 245 | 1 | 0 | |a Garage rock and its roots : |b musical rebels and the drive for individuality / |c Eric James Abbey. |
| 260 | |a Jefferson, N.C. : |b McFarland & Co., |c c2006. | ||
| 300 | |a ix, 213 p. ; |c 23 cm. | ||
| 504 | |a Includes bibliographical references (p. 205-207) and index. | ||
| 505 | 0 | |a Foundations. Made in Detroit : how an underground movement restructured the past ; Setting your sights on the underground ; Invasion of the British ; The Count who? ; You're going to wear that? ; What is garage rock? -- Implications. Mainstreaming the underground ; Nostalgic benefits ; Removing the constraint : the confines of late capitalism ; The break into individualism ; This will wake the neighbors! | |
| 520 | |a "This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self through the assertion of individuality and rebellion. Section one examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. Section two analyzes the alliances and relationships to society"--Provided by publisher. | ||
| 650 | 0 | |a Garage rock music |x History and criticism. | |
| 650 | 0 | |a Garage rock music |x Social aspects. | |
| 907 | |a 1891951 |b 12-14-20 |c 12-23-10 | ||
| 935 | 0 | 0 | |h ho00009716179 |i it00007729643 |j b83c55ce-0155-4095-8753-e0b144e2ee35 |3 ho00009716179 |
| 945 | |a ML3534 |b .A23 2006 |g 1 |j 0 |l pr |o - |p $0.00 |q - |r - |s - |t 0 |u 0 |v 0 |w 0 |x 0 |y .i20321284 |z 12-23-10 | ||
| 952 | f | f | |c Center for Popular Music |d Center for Popular Music - Reading Room |e ML3534 .A23 2006 |h Library of Congress classification |i Book |m 31985000085527 |n 1 |3 ho00009716179 |
| 994 | |a C0 |b TPJ | ||
| 998 | |a p |b 12-23-10 |c m |d a |e - |f eng |g ncu |h 0 |i 0 | ||
| 999 | f | f | |i 0a888e87-4644-4b37-b2f6-5468edd36071 |s ca27d3cf-f853-46d1-ab3b-cba9c2dd2e7d |
