Quid est secretum? : visual representation of secrets in early modern Europe, 1500-1700 /

"Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500-1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700. Whereas the latter volume focused on sacramental mysteries, th...

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Bibliographic Details
Corporate Author: Lovis Corinth Colloquium Emory University
Other Authors: Dekoninck, Ralph (Editor), Guiderdoni, Agnès, 1966- (Editor), Melion, Walter S. (Editor)
Format: Electronic Conference Proceeding eBook
Language:English
Published: Leiden ; Boston : Brill, [2020]
Series:Intersections (Boston, Mass.) ; v. 65/2-2020.
Subjects:
Online Access:CONNECT
Table of Contents:
  • Intro
  • Contents
  • Acknowledgements
  • Notes on the Editors
  • Notes on the Contributors
  • Illustrations
  • Introduction: What's in a Secret?
  • Part 1 The Spiritual locus of Secret
  • Chapter 1 In the Secrecy of the Cell: Late Medieval Carthusian Devotional Imagery and Meditative Practices in the Low Countries
  • Chapter 2 Jesus, Mary, and Joseph as Artisans of the Heart and Soul in Manuscript MPM R 35 Vita S. Ioseph beatissimae Virginis sponsi of ca. 1600
  • Chapter 3 Symbols and (Un)concealed Marian Mysteries in the First Litany of Loreto Illustrated with Emblems: Peter Stoergler's Asma Poeticum (Linz, 1636)
  • Chapter 4 'Teach Me, Reveal the Secret to My Heart': the Role of a Spiritual Guide in the Meditative Works of Marcin Hińcza
  • Part 2 Science and Secrecy
  • Chapter 5 Of Grids and Divine Mystery: Gerard Mercator's Revelation
  • Chapter 6 What Did They See?: Science and Religion in the Anatomical Theatres of the Sixteenth and Seventeenth Centuries
  • Part 3 The Secret in Matter
  • Chapter 7 The Sienese Goldsmith and the Secrets of Florentine Disegno
  • Chapter 8 An Open and Shut Case: On the Dialectic of Secrecy and Access in the Early-Modern Kunstkammer
  • Chapter 9 Mysterious Noises: Orphic Strings, Rough Music, and the Sounds of Early Modern Ornament Prints
  • Chapter 10 'Insettinghe' and 'yegelijcx conversatie': Understanding of the Image on the Eve of Baroque
  • Chapter 11 Roger de Piles and the Secret of Grace
  • Part 4 Secrecy and Sanctity: Negotiating Secular and Sacred Registers of the Secret
  • Chapter 12 In Abscondito: Visuality and Testimony in Raphael's Transfiguration
  • Chapter 13 Secrets of the Dark: Rembrandt's Entombment (c. 1654)
  • Chapter 14 Poussin and Richeome: Mystery and Figurability
  • Chapter 15 Portrait or Parable?: Pierre Mignard and the Mystery of Madame de Maintenon
  • Part 5 Secrets of the Ars symbolica: Emblems and Enigmas
  • Chapter 16 Secret est à louer: Secrets and Secrecy in French Baroque Cartography, 1580-1640
  • Chapter 17 Hidden in Plain Sight: Melchior Lorck's Emblematized Adages
  • Chapter 18 To Hide Is to Reveal: the Paradox of Representing Secrets
  • Chapter 19 Getting to How-To: Chiromancy, Physiognomy, Metoscopy and Prints in Secrets' Service
  • Chapter 20 The Answer Lies in the Eye of the Beholder: the Emblematic Ceiling Program in theTown Hall of Gdańsk
  • Chapter 21 Convents, Condottieri, and Compulsive Gamblers: Hands-On Secrets of Lorenzo Spirito's Libro
  • Chapter 22 Secrecy and the Understanding of Small Things in Early Modern Italy
  • Index Nominum