Reclaiming Assia Wevill : Sylvia Plath, Ted Hughes, and the literary imagination /

Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927'1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twenti...

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Bibliographic Details
Main Author: Goodspeed-Chadwick, Julie, 1978- (Author)
Format: Electronic eBook
Language:English
Published: Baton Rouge : Louisiana State University Press, [2019]
Subjects:
Online Access:CONNECT

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100 1 |a Goodspeed-Chadwick, Julie,  |d 1978-  |e author. 
245 1 0 |a Reclaiming Assia Wevill :  |b Sylvia Plath, Ted Hughes, and the literary imagination /  |c Julie Goodspeed-Chadwick. 
264 1 |a Baton Rouge :  |b Louisiana State University Press,  |c [2019] 
264 4 |c ©2019 
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588 0 |a Online resource; title from PDF title page (EBSCO; viewed October 22, 2019) 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; Contents; ACKNOWLEDGMENTS; 1. Recovering Assia Wevill: An Introduction; 2. Sylvia Plath's Representations of Assia Wevill; 3. Ted Hughes's Treatments of Assia Wevill; 4. Assia Wevill as Author, Artist, and Translator; 5. Assia Wevill in the Twenty-First Century; NOTES; WORKS CITED; INDEX 
520 |a Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927'1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets. Julie Goodspeed-Chadwick's innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes, showing that they often portrayed her in harsh, conflicted, even demeaning terms. Their representations of Wevill established condemnatory narratives that were perpetuated by subsequent critics and biographers and in works of popular culture. In Plath's literary treatments, Goodspeed-Chadwick locates depictions of both desirable and undesirable femininity, conveyed in images of female bodies as beautiful but barren or as vehicles for dangerous, destructive acts. By contrast, Hughes's portrayals illustrate the role Wevill occupied in his life as muse and abject object. His late work Capriccio constitutes a sustained meditation on trauma, in which Hughes confronts Wevill's suicide and her killing of their daughter, Shura. Goodspeed-Chadwick also analyzes Wevill's self-representations by examining artifacts that she authored or on which she collaborated. Finally, she discusses portrayals of Wevill in recent works of literature, film, and television. In the end, Goodspeed-Chadwick shows that Wevill remains an object of both fascination and anger, as she was for Plath, and a figure of attraction and repulsion, as she was for Hughes. Reclaiming Assia Wevill reconsiders its subject's tragic life and lasting impact in regard to perceived gender roles and notions of femininity, power dynamics in heterosexual relationships, and the ways in which psychological traumas impact life, art, and literary imagination. 
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600 1 0 |a Wevill, Assia,  |d 1927-1969  |x Criticism and interpretation. 
600 1 0 |a Hughes, Ted,  |d 1930-1998  |x Criticism and interpretation. 
600 1 0 |a Wevill, Assia,  |d 1927-1969  |x Influence. 
600 1 0 |a Hughes, Ted,  |d 1930-1998  |x Marriage. 
600 1 0 |a Hughes, Ted,  |d 1930-1998  |x Relations with women. 
600 1 0 |a Plath, Sylvia  |x Marriage. 
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