Italian Guitar Music of the Seventeenth Century Battuto and Pizzicato /
In the seventeenth century, like today, the guitar was often used for chord strumming ("battuto" in Italian) in songs and popular dance genres, such as the <I>ciaccona</I> or <I>sarabanda</I>. In thegolden age of the baroque guitar, Italy gave rise to a unique solo...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
Rochester, NY :
University of Rochester Press,
2019.
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Edition: | Reprinted in paperback 2019. |
Series: | Eastman studies in music,
v. 130 |
Subjects: | |
Online Access: | CONNECT |
MARC
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245 | 1 | 0 | |a Italian Guitar Music of the Seventeenth Century |b Battuto and Pizzicato / |c Lex Eisenhardt. |
250 | |a Reprinted in paperback 2019. | ||
264 | 1 | |a Rochester, NY : |b University of Rochester Press, |c 2019. | |
264 | 4 | |c 2019. | |
300 | |a 1 online resource (XIV, 252 str.) : |b ilustr. note. | ||
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490 | 1 | |a Eastman studies in music, |x 1071-9989 ; |v v. 130 | |
500 | |a Avdio posnetki v izvedbi avtorja so dostopni na online naslovu. | ||
505 | 0 | |a The rise of the five-course guitar in Spain and Italy, 1580-1630 -- Italian guitarists at home and abroad -- Accompaniment -- Solo music -- Counterpoint -- Stringing matters -- Pandora's lyre -- The baroque guitar unmasked?. | |
588 | |a Description based on print version record. | ||
520 | |a In the seventeenth century, like today, the guitar was often used for chord strumming ("battuto" in Italian) in songs and popular dance genres, such as the <I>ciaccona</I> or <I>sarabanda</I>. In thegolden age of the baroque guitar, Italy gave rise to a unique solo repertoire, in which chord strumming and lute-like plucked ("pizzicato") styles were mixed. <I>Italian Guitar Music of the Seventeenth Century: Battuto and Pizzicato</I> explores this little-known repertoire, providing a historical background and examining particular performance issues. The book is accompanied by audio examples ona companion website.<BR><BR> Lex Eisenhardt is one of Europe's foremost experts on early guitar. He teaches both classical guitar and historical plucked instruments at the Conservatory of Amsterdam. He has produced a number of highly acclaimed CD recordings, and has given concerts and masterclasses in Europe, the United States, and Australia. | ||
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