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|a NE400
|b .P477 2020
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|a 760
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|a Perspectives on contemporary printmaking :
|b Critical writing since 1986 /
|c Ruth Pelzer-Montada.
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|a Manchester :
|b Manchester University Press,
|c 2020.
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|a 1 online resource (368 pages)
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|a IntroductionPart I: Genealogy Beat Wyss - Fragments for an art history of media: electr(on)ic thinking (1997)Ernst Rebel - The technical gaze: the parallel world of photography (2003)Frances Robertson - Post-print culture? (2013)Part II: Debates Ruth Weisberg - The syntax of the print: in search of an aesthetic context (1986)Richard S. Field - Sentences on printed art (1994)Kathryn Reeves - The re-vision of printmaking (1999)Andrzrej Bednarczyk - The shape of graphic art (2010)José Roca - The graphic unconscious or the how and why of a print triennial (2011)Richard Harding - Print as other: the future is queer (2013)Barbara Balfour - The what and the why of print (2016)Part III: Keywords Ernst Rebel - Coordinates of a history of the technical image (2003)Susan Lambert - The status of the reproduction (1988)Clare Humphries - Benjamin's blindspot: aura and reproduction in the post-print age (2015)K. E.
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|a Gover - Are all multiples the same? The problematic nature of the limited edition (2015)Frieder Nake - Printing plates and pixel matrix: the mechanisation of memory (2010)Georges Didi-Huberman - Opening up an anachronistic point of view (1997)Deirdre Brollo - Untying the knot: memory and forgetting in contemporary print work (2013)Yara Flores - Spirit duplication (2010)Catherine Brooks - Three ways to use yellow (2014)Amze Emmons, R.L. Tillman and Jason Urban - On the manual (In the manual) (2014)Nicky Coutts - Animal print suicide (2014)Part IV: The field Daniel F.
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|a Herrmann - Edinburgh Printmakers and the notion of the workshop (2007)Jeremy Lewison - Projects and portfolios: narrative and structure (1995)Gill Saunders - Lasting impressions? A museum perspective on digital fine art printmaking (2009)Sheryl Conkelton - Print and the public sphere (2011)Johanna Drucker - The work event: art in the distributed field and systems of production (2013)Eric Triantafillou - All the instruments agree (2010)Mari Carmen Ramírez - Stamping (molding) marks: the San Juan Triennial tracking the new century (2004)Shang Hui - Chinese printmaking in the twenty-first century: new horizons and energies (2011)Matthew Perkins - What is 'studio' in the post-disciplinary age? (2011)Amanda Thomson - Making a place: art and a multi-modal, multi-disciplinary approach (2014)R. L. Tillman - Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014)Index
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
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|a Project MUSE Universal EBA Ebooks
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|a Prints.
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|a Pelzer-Montada, Ruth,
|e editor.
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|a Middle Tennessee State University
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