The Routledge handbook of museums, media and communication /

The Routledge handbook of museums, media and communication /

Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their orga...

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Bibliographic Details
Other Authors: Drotner, Kirsten (Editor), Dziekan, Vince, 1964- (Editor), Parry, Ross (Editor), Schrøder, Kim (Editor)
Format: Electronic eBook
Language:English
Published: Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2019.
Series:Routledge international handbooks.
Subjects:
Museums > Technological innovations.
Communication in museums.
Museums > Philosophy.
Museum techniques.
Interactive multimedia.
Mass media and culture.
handbooks.
Handbooks and manuals.
Online Access:CONNECT
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Table of Contents:
  • List of figures
  • List of tables
  • List of contributors
  • Acknowledgements
  • Volume introduction: MEDIA, MEDIATIZATION AND MUSEUMS: A NEW ENSEMBLE
  • The editors
  • Section 1: FOUNDATIONS
  • 1.0
  • Section introduction
  • The editors
  • 1.1
  • Walk-in media: International exhibitions as media space
  • Anders Ekstrm
  • 1.2
  • The museum as a media producer: Innovation before the
  • digital age
  • Peter Pavement
  • 1.3
  • Revisiting the utopian promise of interpretive media:
  • An autoethnographic analysis drawn from art museums, 19912017
  • Peter Samis
  • 1.4
  • Online collections, curatorial agency and machine-assisted curating
  • Bodil Axelsson
  • 1.5
  • Visitor and audience research in museums
  • Susan Anderson
  • Section 2: ENVIRONMENTS
  • 2.0
  • Section introduction
  • The editors
  • 2.1
  • Rethinking museum/community partnerships: Science and natural history museums and the challenges of communicating climate change
  • Karen Knutson
  • 2.2
  • Mobile media, mobility and mobilisation in the current museum field
  • Rikke Haller Baggesen
  • 2.3
  • Learning and engagement in museum mediascapes
  • Palmyre Pierroux
  • 2.4
  • The museum as an arena for cultural citizenship: Exploring modes of engagement for audience empowerment
  • Pille Pruulmann-Vengerfeldt and Pille Runnel
  • 2.5
  • The museum as a charged space: The duality of digital museum communication
  • Bjarki Valtysson and Nanna Holdgaard
  • Section 3: PRACTICES
  • 3.0
  • Section introduction
  • The editors
  • 3.1
  • From elsewhere to everywhere: Evolving the distributed
  • museum into the pervasive museum
  • Vince Dziekan and Nancy Proctor
  • 3.2
  • Digital media ethics and museum communication
  • Jenny Kidd
  • 3.3
  • Complexities of collaborating: Understanding and managing differences in collaborative design of museum communication
  • Line Vestergaard Knudsen and Anne Rrbk Olesen
  • 3.4
  • Participation in design and changing practices of museum development
  • Dagny Stuedahl
  • Section 4: VISUAL ESSAY
  • 4.0
  • Incident(al) Readings
  • Vince Dziekan
  • Section 5: DIRECTIONS
  • 5.0
  • Section introduction
  • The editors
  • 5.1
  • Smart media: Museums in the new data terroir
  • Lauren Vargas
  • 5.2
  • The proliferation of aura: Facsimiles, authenticity and digital objects
  • Sarah Kenderdine and Andrew Yip
  • 5.3
  • Assets, platforms and affordances: The constitutive role of media in the museum
  • Kathleen Pirrie Adams
  • 5.4
  • Feeling the Exhibition: Design for an Immersive and Sensory Exhibition Experience
  • Maholo Uchida and Jingyu Peng
  • 5.5
  • Museums and cultural diversity: A persistent challenge
  • Ien Ang
  • Index.

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