A history of modern drama. 1960-2000 / Volume II :
"Exploring a remarkable breadth of topics and analytical approaches, A History of Modern Drama: Volume II offers an essential resource about the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 to the dawn of the new millennium. The volume provide...
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
West Sussex :
Wiley Blackwell,
2016.
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| Subjects: | |
| Online Access: | CONNECT |
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| 100 | 1 | |a Krasner, David, |d 1952- | |
| 245 | 1 | 2 | |a A history of modern drama. |n Volume II : |b 1960-2000 / |c David Krasner. |
| 260 | |a West Sussex : |b Wiley Blackwell, |c 2016. | ||
| 300 | |a 1 online resource (560 pages) | ||
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| 505 | 0 | |a Title Page; Table of Contents; Preface and Acknowledgments; Acknowledgments; Part I: Introduction; Chapter 1: Strangers More than Ever; The Critical Divide: Defining Modernism and Postmodernism; Constituents of Postmodernism; Marat/Sade; The America Play; Part II: United Kingdom and Ireland; Chapter 2: Jewish Oedipus, Jewish Ethics; Homecoming and the Unheimisch; The Ethics of Betrayal; Chapter 3: Tom Stoppard and the Limits of Empiricism; Tom Stoppard and British Empiricism; What Exactly Is the Experience of Death?; What Exactly Is the Experience of Art and Socialism? | |
| 505 | 8 | |a The Real Thing: What Really Is Real Love?Arcadia: What Is the Experience of a Carnal Embrace?; Chapter 4: Caryl Churchill, Monetarism, and the Feminist Dilemma; Chapter 5: Can't Buy Me Love; Edward Bond: Postmodern Violence and Postmodern Calm; Lear; You can't always get what you want: David Hare and Sold-out Cynicism of Abundance; Men at Work and Play: David Storey and Trevor Griffith; British Nationalism and Colonialism on the Island of Australia; Joe Orton: Finding Winston Churchill's Private Parts; Chapter 6: Between Past and Present; Dancing in the Middle Ground. | |
| 505 | 8 | |a Part III: United StatesChapter 7: Participate, I suppose; Mourning in the Postmodern Age; The Specter of Death in Who's Afraid of Virginia Wolf?; Three Tall Women; Chapter 8: Ask a Criminal; Business Is Business: American Buffalo and Glengarry Glen Ross; Finding the Truth in True West and Fool for Love; Academia as a Battleground in Oleanna; Mamet, Shepard, and the New Man; Chapter 9: Modern Drama, Modern Feminism, and Postmodern Motherhood; Uncommon Women; The Unforgiving Mirror of 'night, Mother; Stuck in the Mud; How I Learned to Drive. | |
| 505 | 8 | |a Chapter 10: History, Reinvention, and DialecticsFences; The Piano as Dialectic; Wilson's Motifs; Chapter 11: Tony Kushner's Angels in America; Part IV: Western and Eastern Europe; Chapter 12: Post-War, Cold War, and Post-Cold War; Franz Xaver Kroetz and the Postmodern Breakdown of Language; Heiner Müller and Postmodern Inundation; Dasein in Peter Handke and Botho Strauß; Chapter 13: Eastern Europe, Totalitarianism, and the Wooden Words; Tadeusz Kantor: Theatre of Dematerialization; Dario Fo: Comic Reason and Farceur Extraordinaire; Václav Havel and the Language of Circumlocution. | |
| 505 | 8 | |a Part V: Postcolonial DramaChapter 14: The Fragmentation of the Self in Postcolonial Drama; Chapter 15: Africa: Wole Soyinka, Athol Fugard, and Christina Ama Ata Aidoo; Memory and Forgetfulness: Wole Soyinka's Death and the King's Horseman; What's in a Name: Athol Fugard's Sizwe Banzi Is Dead; Women's Identity in Aidoo's Anowa; Chapter 16: Central and South America: Carlos Fuentes and Derek Walcott; Memories and Demi-Gods: Carlos Fuentes's Orchards in the Moonlight; Derek Walcott and the Hybridity of Colonialization. | |
| 500 | |a Wiley EBA |5 TMurS | ||
| 520 | |a "Exploring a remarkable breadth of topics and analytical approaches, A History of Modern Drama: Volume II offers an essential resource about the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 to the dawn of the new millennium. The volume provides global coverage of both English and non-English dramas--including works from Africa, Asia, South America, and the Middle East--and examines the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by authors such as Peter Weiss and Sarah Kane. It explores essential issues of theatricality and dramaturgy, while drawing from the fields of art, literature, society, politics, culture, and philosophy to trace the methodologies of world drama during the modern era"--Provided by the publisher | ||
| 650 | 0 | |a Drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Drama |y 21st century |x History and criticism. | |
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| 776 | 0 | 8 | |i Print version: |a Krasner, David. |t A History of Modern Drama, Volume II : 1960-2000. |d : Wiley, ©2016 |z 9781118893258 |
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