The other side of glamour : the left-wing studio network in Hong Kong cinema in the Cold War era and beyond /
Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishme...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2020]
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| Series: | Global film studios.
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| Subjects: | |
| Online Access: | CONNECT CONNECT |
Table of Contents:
- Intro
- List of figures
- Acknowledgments
- A note on the timeline
- Timeline
- Introduction
- 1 The left-wing film apparatus in postwar Hong Kong
- 2 Left in the right way: corporate strategy and the making of a popular left-wing
- 3 Remaking Cantonese film culture: Union and Sun Luen
- 4 Class, gender, and modern womanhood: Feng Huang and Great Wall
- 5 Corporate repositioning, transnational cultural brokerage, and soft power: Sil-Metropole
- 6 Critical transitions on the non-left: Patrick Lung and Cecile Tang
- 7 From political alibis to creative incubators: the left-wing fi lm network since the 1980s
- Epilogue
- Bibliography
- Filmography
- Index
