|
N6512.5.H35 H35 2018
|
Hairy Who? 1966-1969 / |
1 |
|
N6512.5.I56 A33 1992
|
Dispossessed installations / |
1 |
|
N6512.5.I56 C66 2013
|
Bound to appear : art, slavery, and the site of blackness in multicultural America / |
1 |
|
N6512.5.I56 G66 2008
|
Subject to display : reframing race in contemporary installation art / |
1 |
|
N6512.5.I56 H68 2014
|
The art of the Sister Chapel : exemplary women, visionary creators, and feminist collaboration / |
1 |
|
N6512.5.I56 M37 2001
|
Installations, Mattress Factory, 1990-1999 / |
1 |
|
N6512.5.M5 B35 1988
|
Minimalism : art of circumstance / |
1 |
|
N6512.5.M5 C6
|
Monumental art. |
1 |
|
N6512.5.M5 R38 2000
|
Out of the box : the reinvention of art, 1965-1975 / |
1 |
|
N6512.5.M63 B35 2003
|
Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde / |
1 |
|
N6512.5.M63 F56 1995
|
Art since 1940 : strategies of being / |
1 |
|
N6512.5.M63 F56 1999
|
Art since 1940 : strategies of being / |
1 |
|
N6512.5.M63 L36 2013
|
Mexico and American modernism / |
1 |
|
N6512.5.M63 M63 1993
|
Modernism in dispute : art since the Forties / |
1 |
|
N6512.5.M63 S54 2008eb
|
Doubt / |
1 |
|
N6512.5.M63 S63 1993
|
Making the modern : industry, art, and design in America / |
1 |
|
N6512.5.M63 V43 2015eb
|
The living line : modern art and the economy of energy / |
1 |
|
N6512.5.N33
|
SoulStirrers : Black Art and the Neo-Ancestral Impulse / |
1 |
|
N6512.5.N4 G84 1983
|
How New York stole the idea of modern art : abstract expressionism, freedom, and the cold war / |
1 |
|
N6512.5.N4 R67 1979
|
The vanguard artist / |
1 |
