|
MT50 .W56 1986
|
Harmony : patterns and principles / |
1 |
|
MT50 .W56 1991
|
The harmonic dimension / |
1 |
|
MT50 .W78 1986
|
Harmony : patterns and principles / |
1 |
|
MT50 .W93 1998
|
Harmony & theory : [a comprehensive source for all musicians] / |
1 |
|
MT52 .F66 1978
|
Modulation and related harmonic questions / |
1 |
|
MT55 .B16 1945
|
Counterpoint and harmony, |
1 |
|
MT55 .B22
|
Manual of sixteenth-century counterpoint |
1 |
|
MT55 .B446 1986
|
Counterpoint in the style of J.S. Bach / |
1 |
|
MT55 .B446 2003eb
|
The craft of tonal counterpoint / |
2 |
|
MT55 .B447
|
The craft of modal counterpoint : a practical approach / |
1 |
|
MT55 .B447 2005eb
|
The craft of modal counterpoint : a practical approach / |
1 |
|
MT55.B48 E4
|
Eighteenth-century imitative counterpoint; music for analysis |
1 |
|
MT55 .D2 1977
|
The essentials of counterpoint / |
1 |
|
MT55 E9 1945
|
Examples illustrating the development of melodic line and contrapuntal style from Greek melody to Mozart; for use in classes of counterpoint and history of music. |
1 |
|
MT55 .E93 1946
|
Examples of Gregorian chant and works / for use in classes of counterpoint |
1 |
|
MT55 .G59 1975
|
Counterpoint applied in the invention, fugue, canon, and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music : for the use of general and special students of music / |
1 |
|
MT55.G814 P75 2011eb
|
The principles and practice of modal counterpoint / |
1 |
|
MT55.J45 K63
|
Counterpoint, the polyphonic vocal style of the sixteenth century, |
1 |
|
MT55 .J542 1992
|
Counterpoint : the polyphonic vocal style of the sixteenth century / |
1 |
|
MT55 .K35
|
Counterpoint; an introduction to polyphonic composition. |
1 |
