|
MT55 .K53 1972
|
Counterpoint; based on eighteenth-century practice. |
1 |
|
MT55 .K53 1987
|
Counterpoint : based on eighteenth-century practice / |
1 |
|
MT55.K69 A7 1975
|
The art of counterpoint / |
1 |
|
MT55 .K694
|
Invertible counterpoint and canon, |
1 |
|
MT55.K87 S8
|
Studies in counterpoint; based on the twelve-tone technique |
1 |
|
MT55 .L62
|
Creative counterpoint. |
1 |
|
MT55.M392 E9
|
Essentials of eighteenth-century counterpoint; a practical stylistic approach |
1 |
|
MT55.M4 S5
|
Sixteenth-century polyphony, a basis for the study of counterpoint, |
1 |
|
MT55 .M63
|
Harmony in modern counterpoint |
1 |
|
MT55 .M82
|
Introduction to counterpoint, |
1 |
|
MT55.N4 M6
|
Modal counterpoint in the style of the 16th century. |
1 |
|
MT55.N4 T6
|
Tonal counterpoint in the style of the XVIIIth century. |
1 |
|
MT55 .N7
|
Fundamental counterpoint, |
1 |
|
MT55 .O97 1992
|
Modal and tonal counterpoint : from Josquin to Stravinsky / |
1 |
|
MT55 .P312 1984
|
Eighteenth-century counterpoint and tonal structure / |
1 |
|
MT55 .P67 1947
|
Counterpoint / |
1 |
|
MT55.P97 D7 1969
|
Double counterpoint and canon. |
1 |
|
MT55 .R69 1967
|
A handbook of modal counterpoint |
1 |
|
MT55 .S217
|
Counterpoint in composition; the study of voice leading |
1 |
|
MT55 .S2413 1987
|
Counterpoint : a translation of Kontrapunkt / |
1 |
