|
MFE 5868
|
The musical instruments of Harry Partch as an apparatus of production in musical theatre |
1 |
|
MFE 5869
|
The art songs of black American composers |
1 |
|
MFE 5870
|
Claudio Monteverdi's concertato technique and its role in the development of his musical thought |
1 |
|
MFE 5871
|
A rational reconstruction of Schenkerian theory |
1 |
|
MFE 5872
|
Representation, reproduction, and the revival of Gregorian chant at Solesmes |
1 |
|
MFE 5874
|
Form and line in the music and musical thought of Leningrad 1917-1932 / |
1 |
|
MFE 5875
|
The history and text of Bach's Clavierübung I |
1 |
|
MFE 5876
|
Richard Wagner and the aesthetics of musical form in the mid-19th century (1840-1860) |
1 |
|
MFE 5877
|
Ritual music in Bronze Age China an archaeological perspective / |
1 |
|
MFE 5878
|
J. S. Bach and the German motet |
1 |
|
MFE 5879
|
The voracious muse contemporary cross-cultural borrowings, culture, and postmodernism / |
1 |
|
MFE 5880
|
Bruckner and the vocabulary of symphonic formal process |
1 |
|
MFE 5881
|
Canon, partial signatures, and "Musica ficta" in works by Josquin DesPrez and his contemporaries |
1 |
|
MFE 5882
|
Unmaking of subcultures maintenance of hegemony in capitalism / |
1 |
|
MFE 5883
|
Problems of tonality Schoenberg and the concept of tonal expression / |
1 |
|
MFE 5884
|
Music in the royal and noble households in late medieval England studies of sources and patronage / |
1 |
|
MFE 5885 Index
|
Health, physical education and recreation, exercise and sport sciences, microform publications bulletin. |
1 |
|
MFE 5886
|
Anglo-Saxon manuscripts in microfiche facsimile |
1 |
|
MFE 5886 v.20
|
Anglo-Saxon manuscripts in microfiche facsimile |
1 |
|
MFE 5886 v.21
|
Anglo-Saxon manuscripts in microfiche facsimile |
1 |
